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An all-star cast brings Disney's adaptation of the James Lapine/Stephen Sondheim musical to life on the big screen, and it's hard not to get wrapped up in their obvious enthusiasm.

Five times honoured at Cannes, Turkish writer-director Nuri Bilge Ceylan won the festival's supreme Palme d'Or last year with this film.

TimeOut presents the best in movies, games, TV and albums for 2014.

Paddington was a creation of the 1950s, but the story of this polite, accident-prone bear from the depths of Peru has translated nicely into the present day.

Pitch-perfect acting and a fine control of high emotion that never slips into treacly sentiment distinguish this small and lovely ensemble piece by writer-director Ira Sachs, who gave us 2008's memorable dark farce, Married Life.

The new film for French cinema's leading lady has nothing to do with the fabled Paris cabaret of the title.

And so it ends, with a hiss and a roar. Actually, many hisses and many roars - those from that dragon from the previous instalment going down in flames at the beginning.

The cool good looks and technical confidence of this self-funded feature belie its limited budget. But they can't compensate for a seriously underdeveloped script.

Following her roles in Gone Girl and Hector's Search for Happiness, Rosamund Pike again finds herself in a troubled relationship, this time as Abi, a mum of three in the process of divorcing husband Doug (Tennant).

The Royal Shakespeare Company's project to stage all the plays over six years (the centrepiece of which will be the 400th anniversary, in 2016, of the playwright's death) continues with an energetic and good-natured production.

Zach Braff's debut feature film, the quirky indie flick Garden State, saw the Scrubs star explore life as a disconnected 20-something.

A little like Wish I Was Here, also reviewed today, The Skeleton Twins is a film featuring siblings affected by their upbringing and who discover, as adults, the only person who can really help them deal with their issues is each other.