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Before seeing a preview of this superhero superclash, reviewers were advised multiple times not to put spoilers out into world ...

This American film starts off as as swords and sandals detective story, with Jesus the missing person, before defaulting to a hollow gospel drama.

Producer J.J. Abrams sure knows how to release a film. In 2007, he launched a mysterious trailer for an unnamed sci-fi film at a Transformers screening, creating a buzz that saw Cloverfield, as it was soon to be known, collect just over US$170 million.

In the stark, filmic landscape that lies beyond the Oscars, there is nothing but badly CGI-ed tumbleweed.

Ralph Fiennes couldn't make a bigger splash if he tried, rampaging through director Luca Guadagnino's relationship drama.

The things you learn at the pictures. Had I not seen Sacha Baron Cohen's new film, I might have gone through life sublimely unaware of the word "bukkake", let alone the concept. That may have been no bad thing, of course.

The latest offering from the inimitable Coen brothers is <i>Hail, Caesar!</i>, a goofy love letter to the golden age of Hollywood.

Soap opera melodrama and visual effects wizardry combine in a mythical Egyptian fantasy adventure - and it's an uncomfortable mix.

The first local release of the year is an impressive adaptation of Witi Ihimaera's 1994 novel Bulibasha: King of the Gypsies.

It has taken me a while to process things in the aftermath of <i>Zoolander 2</i>.

The story of the Sonderkommando, the "special units" of Jewish prisoners in Nazi death camps forced to assist with the exterminations of the Final Solution, has been little-told in the cinema.

If you liked the arched eyebrow of the dowager countess at Downton Abbey, you just have to get a load of this.

Director Christian Ditter has already tackled rom-coms with British film Love, Rosie, but in How to Be Single he goes from riffing on one relationship to wrangling a clutch of them, with the ensemble piece getting the better of him.

Viewed from here, where American football remains, for most of us, a curiosity, this film about a doctor who challenged the sports-entertainment industrial complex behind the game is something of a revelation.

The elderly actress said the film was "glorious". Deadpool stars Reynolds as the snarky anti-hero from Marvel Comics.

There was little about 2001's Zoolander that warranted a sequel, and yet here it is.

When Patricia Highsmith wrote The Price of Salt in 1952, its subject matter was so taboo that she needed to use a pseudonym, Claire Morgan.

You have to wonder how this exchange slipped past Deadpool's financial executives.

Warning: If you missed the book and don't know what the room is in Room, what follows may contain more spoilers than you need.

Chris Pine and Casey Affleck play two real-life US Coast Guard sailors who saved 32 men from a sinking oil tanker off Cape Cod in the winter of 1952.

Journalists are constantly exasperated by the depiction of journalism in the movies: crusading reporters who never take notes write their own (very bad) headlines for stories based on hunches, improbable disclosures, lucky breaks and dramatic confrontatio

Other than starring in David O. Russell films, in recent years seven-time Oscar nominee and two-time winner Robert De Niro has taken to appearing in lightweight films reassuring baby boomers they're relevant, and can still party large.

Predictably and understandably, this film about one of the first known people to undergo a surgical sex change has been criticised for tweaking the historical record and, more sophisticatedly, for its heteronormative approach to a transgender story.

It's hardly surprising that stories of immigrants to the Land of the Free have such a proud cinematic history: the immigrant experience has everything - risk, longing, regret, hope, danger - that makes for great drama.